Panasonic DC-GH6 body
+ Panasonic Lumix G Vario 12-60mm f/3.5-5.6 Power O.I.S. lens

Next-Generation Sensor
The LUMIX GH6 features the first 25.2 MP Live MOS sensor in Micro Four Thirds™ system. This new sensor offers our highest dynamic range and features a no low-pass filter design, delivering impressive ultra-realistic detail and sharpness.
In a first for the format, the sensor can combine dual simultaneous readouts of high & low gain circuitry producing higher dynamic range with improved detail in highlights.
The high-speed readout delivers C4K/4K 100/120p video recording and 5.7K 50/60p for ultra-smooth slow motion with minimal rolling shutter distortion.

Powered by the New Venus Engine
Powered by the new Venus engine the camera packs twice the processing power to enable higher resolutions, frame rates and bit rates than previously. The processor now supports recording in Apple ProRes HQ internally to CF Express Card for high quality low compression video capture.
The GH6 has a new and improved video encoder offering Intelligent Detail Processing and 3D Noise Reduction optimising resolution, colour, and noise performance offering better video output with the same data rates of conventional models.

Unlimited Video Recording Time
Specifically designed to offer unlimited oversampled C4K/4K 50p/60p 10-bit 4:2:2 both internal and external recording when used within the recommended operating temperature. Ideal for production teams in demanding conditions where mobility and high-quality are a must.

High Frame Rate / Variable Frame Rate 10-bit Recording
Pushing the boundaries of mirrorless cameras producing high quality, high bit rate slow motion the GH6 offers variable frame rate recording in Full HD (1920 × 1080) 10-bit 300 fps.
To satisfy the requirements of 4K productions the LUMIX GH6 can deliver 4× slow motion in HFR C4K/4K 10-bit 120p/100p.

5.7K 10-bit 50/60p Recording
Those seeking higher than 4K, the GH6 offers 5.7K 10-bit 50/60p recording with flexibility for greater than 4K delivery in slow-motion and speed ramping or digital zoom and pan in post-production.
The GH6 supports multiple options for Anamorphic video, including 5.8K 10 bit 4:3 mode with de-squeezed preview. Handheld anamorphic shooting is made possible with in-body stabilisation system in anamorphic mode, opening a wide range of possibilities for filmmaking.

A LUMIX first: Apple ProRes Codec Video
Further expanding the versatility of the GH6 for professionals, the camera can record ProRes 422 HQ internally. The Apple Pro Res HQ codec delivers impressive image quality with low compression, offering shoot, edit, output experience and seamless editing in NLE (non-linear editing) suites, improving workflow and saving time.

Smooth Handheld Shooting
Improving on the legacy of the GH5, the GH6 sets the bar for performance of Image Stabilisation (I.S.) systems. Panasonic’s Dual IS system is capable of 7.5-stops of correction for lenses with optical image stabilisation (O.I.S.) reducing the need for tripod or gimbal.
The system features multiple modes for smooth, handheld shots that don’t override intentional movement like panning. “IS Boost” is also included to replicate locked off tripod style shots.

Versatile Monitor to Shoot from any Angle
The first LUMIX G series camera to feature a tilt and free-angle rear monitor. The monitor can be rotated even with an HDMI or USB cable attached to the camera allowing greater flexibility when viewing the monitor while connected to an external recorder or other devices.

Double Memory Card Slot for Flexible Data Management
The LUMIX GH6 supports high-bit-rate video recording with a double memory card slot for a CFexpress Card (CFexpress Type B) and SD Memory Card (UHS-I/UHS-II UHS Speed Class 3, UHS-II Video Speed Class 90). This enables you to use different recording media depending on your shooting needs.
The dual recording mode allows you to save the same content to both cards at once — creating the all-important redundancy.